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Tim Landers, a prolific songwriter and founding member of the emo/pop-punk band TRANSIT, struggled. He fought battles, often privately, with substance misuse and his own mental health needs. "Don’t Forget To Leave" paints a poignant portrait of Landers, from his early success up until the posthumous release of Weathervane by his band Cold Collective. His story is chronicled through archival footage and interviews with members of A Loss For Words, The Story So Far, Frank Turner, Man Overboard, Transit and Cold Collective, family members and mental health professionals.
A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.
After spending 19 months in the Adrian, MI Correctional Facility, GG Allin was paroled in March 1991. Back in NYC, the Murder Junkies were ready to carry out GG's Rock & Roll Mission. In the Fall, GG Allin & The Murder Junkies set out on their first US Tour. This film ncludes 3 complete shows: San Diego 9/27/91, Chicago 10/10/91, and Atlanta 11/20/91.
Mario is the guitarist of "Duck Fizz", a rock band from La Paz B.C.S. who seeks to achieve success through his own art. However, getting it means having to leave your city for a new home. A decision that modifies their entire environment and lifestyle, but that will also help them to find more opportunities to fulfill his biggest dream, live from music.
The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.
Feeling disgruntled, a group of punks start a litter picking group to counter the amount of litter their community faces.
Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?
Documentary with interviews and clips of bands from Epitaph and Burning Heart.
A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.
In the early 80s, some bored young people in Hultsfred arrange a gig with the bands Ebba Grön and Dag Vag. It will be the starting point for what would become Sweden's biggest music festival.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.
A behind-the-scenes look at P!NK as she balances family and life on the road, leading up to her first Wembley Stadium performance on 2019's "Beautiful Trauma" world tour.
Taking the City By Storm: The Birth of Milwaukee's Punk Scene is a documentary focusing on the progression of Milwaukee's Protopunk, Punk, New Wave, and Alternative music scene from 1975-1985.
A punk documentary about the life and death of the GDR punk Dieter "Otze" Ehrlich and his band Schleimkeim aus dem Schweinestall. With the fall of the Wall, Otze loses not only his enemy images, but also his life at the price of freedom.
At the end of the 70s, punk promised rebellion and self-empowerment, also for women in the scene. They fought for their place on stage among the dominant punk top dogs, battling against social norms and long-outdated female role models. This is their story.