

A collage of interviews analyzing the internet, political polarization, incel culture, the far-right, and the process by which young people can evolve towards extremism.
Himself
Herself
Himself
Himself

A collage of interviews analyzing the internet, political polarization, incel culture, the far-right, and the process by which young people can evolve towards extremism.
2022-09-22
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Am I Racist? I Sure Used to Be.
6.5The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.
6.5Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.
0.0Filomena Lopes recalls the first moments of Angola's independence. A story fictionalised through photographic archives. A personal investigation into the director's own family history.
7.8A group of Israelis and Palestinians come together in Oslo for unsanctioned peace talks during the 1990s in order to bring peace to the Middle East.
8.0When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.
0.0Struggle is the story of how Ohio's 2004 presidential election was rigged through high tech and old fashioned ballot stuffing methods to deliver the election to George W. Bush.
6.8Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
10.0With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.
0.0A documentary on assisted suicide, authored by actor and disability rights activist Liz Carr.
0.0During the donations scandal of 1999/2000, Helmut Kohl gave his legendary "word of honor" not to name any donors. This documentary explores the question of what this word of honor was really all about
7.7In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.
0.0An early experimental film by Toshio Matsumoto. Produced as part of the student riots in Japan at the start of the 1960s, Matsumoto uses collage, archival footage, and impassioned narration to create an expressive, visceral criticism of the US-Japan Security Treaty.
5.0Alex Jones interviews Walter Burien, commodity trading adviser (CTA) of 15 years about the biggest game in town. There are over 85,000 federal and regional governmental institutions: school districts, water and power authorities, county and city governments – and they own over 70 percent of the stock market.
5.2Alex Jones exposes the growing militarization of American law enforcement and the growing relationship between the military and police. Witness US training with foreign troops and learning how to control and contain civilian populations. You will see Special Forces helicopter attacks on South Texas towns, concentration camps, broad unconstitutional police actions, search and seizure and more.
4.4The Masters of Terror details the execution of the September 11th attacks and the ensuing whitewash, the cashless society control-grid, implanted microchips, mind-control, militarization of police, concentration camps, foreign troops massing on US soil, the USA Patriot Act, and Homeland Security taking over the states.
5.820 years after the fall of the Wall, the economic crisis prevails. In the ruined peripheral areas of West Germany, resentment towards the new federal states is growing. The consequences of decades of uncontrolled transfers from West to East are now clearly visible: while the zone has the highest density of water parks in Europe and the East German cities are being pimped out with designer street lighting, entire city archives are collapsing in the run-down West and weeds are sprouting up on the pothole-strewn streets. The times when Merkel was still locked away behind the Wall and the Federal Republic was in full bloom are long gone. The former people's parties SPD and CDU are just as incapable of acting as the fun party FDP, only Die PARTEI continues to gain popularity and now has over 8,200 members. Is it Germany's last resort?
6.8A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
0.0The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France